Jay Versluis For modelling purposes, armatures can get in the way as you make changes to an object in Blender. Thankfully there’s an easy yet somewhat unintuitive way to remove them, let me show you how to do that. It helps to understand how armatures come into existence in the first place, and knowing that it’ll make …
Did you know that Blender has a handy way for us to navigate larger scenes just like in video games? The standard WASD navigation can be enabled with a single click, let me show you how. Head over to View – Navigation – Walk Navigation and start using the W, A S, and D keys …
Here’s something I didn’t know, until Grant Abbit explained it in this fabulous Rigging and Animation course on GameDev.tv: Blender has a way to show you exactly how much of a weight influence a vertex has if the object is parented to an armature. This can be important if you want to find out what …
We can lock off objects (including cameras) so that they can’t accidentally be moved or pointed into other directions. Fixed cameras are a good example: if you want one or more cameras to always show the same thing, and want to make sure you’re not moving them with transform controls or when they’re selected in …
I had this really flat object whose texture looked OK, but it didn’t have a normal or displacement map. I wanted the object to look a little more interesting, so I applied the base texture as a height map, and that worked well. The question was, how do I export this so that the details …
It’s nice to have adjustment options on our normal maps. Sometimes the strength that works in another DCC doesn’t work for the final look, something I frequently encounter with the base colour channel. Typically I add a Vector 3 and Multiply nodes before the final output, but for non-colour data this doesn’t work. Instead we …
By default, an iClone Project comes in with a duration of 1800 frames (0-1799) and a frame rate of 60fps. Being a new user and all, it’s impossible for my brain to remember where to change this, as it’s in an incredibly tricky to find place called Project Settings. Here’s how we get there: The …
I’ve been checking out Godot recently, and as it turns out it uses the Blender executable under the hood for many of its operations. You wouldn’t even notice, but having Blender installed is a major advantage, and as such the path to Blender needs to be set correctly for the app to find it. Godot …
When you download assets from the UE Marketplace, they’re downloaded into a temporary location called the Vault Cache before being copied into your actual project. This means that by default, you’ll end up with an asset at least twice: once on the Vault Cache, and once in your project. The reasoning is that when you …
We’ve been working with multiple 4K image plates in Unreal Engine, which is a great way to combine live footage with 3D environments without the overhead of a fully fledged virtual studio production. The more plates we used, the slower UE got – much like a video editor would if you stacked more tracks onto …
I’ve previously talked about using Shot Tracks in the UE Sequencer. There’s a related feature called Takes that I’ve just found out about. It can make life easier as you try things out while you work with animations and adds an “alternate” shot that can be swapped out without destroying the original. Each take is …
When you package a UE project without and special settings, it’ll start itself in full screen mode. This can be confusing to users as there’s no obvious way to move the game to a different screen, or to close it when they’re done. Thankfully there’s a handy blueprint node called Get User Game Settings that …
By default, Ultra Dynamic Sky calculates cloud movement continuously, no matter if you’re running game mode, simulation mode or if you’re working with a Level Sequence. There is a way to make sure the clouds form the same way as you move the playhead so that we get predictable results in our cinematic keyframe animations. …
I’ve been using Faceform Wrap for a couple of years (formerly R3DS Wrap), and it handles texture conversions beautifully. While it can handle UDIMs natively, it’s a little cumbersome having to change the texture for each tile before export manually. Thankfully there’s a better way, and my man Brian found out how to do it …
I’ve been puzzling over the best way to render out multiple camera sequences from Unreal Engine. This is useful if you had a switched camera cut track for preview purposes in your project, but would like additional post production effects to be applied during editing (say dissolves or wipes between cameras). By default, Unreal Engine …
When you move objects around in your content browser for re-organisation, you may end up with empty folders that you want to delete. However, often times Unreal Engine comes up with a message telling you that the folder is NOT empty, and all kinds of terrible things would happen when you delete it anyway. Here’s …
Imagine you’ve animated an object with keyframes as part of a Level Sequence, and now you want to have multiple copies of that object doing the same thing. Like the cube in the above GIF. Unreal Engine has a quasi non-linear animation feature we can use that lets us queue a sequence from another sequence. …
I was wondering if we could bake normal detail into the 3D mesh, for either printing or further refinement during sculpting or whatnot. Turns out Blender has a relatively easy way to make it happen, although the process is not without flaws (after all, normal maps are rendering fake rather than an archival data storage …
Sometimes, and despite out best efforts, or as a result of copy/paste actions, actor references in Level Sequences can break. Anything that may have been tracked and properly working last time is shown in white (like the audio above), while things that have broken references are shown in red. It’s annoying when this happens, but …
When you’re using Unreal Engine animations as part of linear keyframe animations in a Level Sequencer, forward motion may become an issue. Depending on the situation, animators like to have the option to have say a walk cycle “in place”, then add the linear forward motion manually to direct a character in a cinematic. Sadly …
Unreal Engine can show us how hard it’s working on things in the background, thanks to several overlays we can peek at. The most common one to keep an eye on is the FPS count (frames per second). We can toggle this with CTRL+SHIFT+L. It’s also accessible from the little hamburger icon at the top …
I’ve finally worked out how to properly create and render animations from Unreal Engine. The concept is very elegant, but also very different from most other 3D applications that I’m familiar with. This threw me on more than one occasion and lead to multiple frustrations, so let me share what I’ve learnt and explain the …
Blender can hold various image files like textures and masks, making it easy to share a single file and include everything that’s necessary to render and work with it on another system. I wanted to work with a set of texture files that came with a character, but I didn’t want to manually export every …
Renaming groups should be as easy as pressing F2 in the Unreal Engine outliner, but alas it doesn’t work. There’s seemingly no renaming feature, but I’ve worked out how to do it and wanted to share it, together with another Groups related trick you may not be familiar with. Renaming Groups First of all, select …
Sometimes you have a tiled material on an object, and the UV tiling isn’t exposed. This means some manual intervention, which had me stumped in Unreal Engine, and here’s how I’ve solved it. On the material, each texture needs a Texture Coordinate node in the UV input for tiling to be changeable. If nothing is …
I had this issue with an empty Logitech Options window popping up whenever I launch Premiere Pro. The window does nothing and just sits there on top of other windows when Premiere is in focus. I don’t use that integration at all, and wanted to get rid of it. Turns out there’s an easy fix …
Nanite is Unreal Engine 5’s new internal mesh format that lets the engine subdivide dense meshes on the fly. Think of it as LODs on steroids. Any static mesh that can potentially be Nanite should be Nanite, and many assets have it enabled by default. We can enable this on a per-object basis, either on …
Unreal Engine has a convenient way to migrate objects from one level to another in the same project. I keep forgetting how to do this so I thought I’d make a note. This is not the simple copy/paste approach, even though that will work: select actors and press CTRL+C in Level A, then open Level …
In my previous article I’ve described how to add and animate a Media Plate actor in Unreal Engine 5.1, but sadly the object doesn’t give us shadows as we got with the traditional image sequence workflow out of the box. Thankfully there’s a fix for that in the form of various tick boxes nobody tells …
The Media Plate actor is a new object that UE 5.1 and above can automatically create when you drag an image sequence into your scene. Most of the heavy lifting is not exposed and happens under the hood, which is why I’ve had some issues playing the sequences back in Sequencer, due to the lack …