To complete my migration from PC to Mac I’ve downloaded the trial version of the latest Premiere Pro CS 5.5 yesterday. I bought CS 3 a few years ago and haven’t regretted it, but at work we have CS 4 and now CS 5 and I can see the feature improvements and benefits to our workflow.
As last time, this is a rather large expense for me (£285 for the upgrade, which is still better than £810 for the full version) – however Premiere is a fascinating powerful programme and I know how helpful it is.
My old version has made its money back many times over so I’m sure this version won’t disappoint me either. In fact, I’m quite excited about the new options in version 5.5 and the idea of having it on my laptop.
Here are my hands-on notes, my first impressions and my two cents about Adobe’s rival to Final Cut Pro.
For the geeks: I’m using Premiere on a MacBook Pro with 8GB of Ram, 64 bit OS (Lion) and an Intel Dual Core i7 processor at 2.7 GHz.

In a surprise move, my wife Julia has just joined Twitter. Welcome, @Julia_V1!

It’s been an exciting day here at The Render Farm: we’ve decided we wanted to release our first app by tomorrow evening, and the next thing we knew was that Julia’s soundtrack was ready for it. Not even half an hour later we previewed stunning animations with several characters… we couldn’t believe it ourselves – since we’re neither musicians, animators or coders!
It’s been a tough couple of days with my head spinning and – as my wife says – me being not very happy. This is because every book i read about iOS developing appears to be hopelessly out of date. My fault for wanting to get my hands dirty with bleeding edge shenanigans.
It’s only been 4 weeks since I’ve bought my first ever Apple product. We now have SIX in our household and my ISP has just informed me that I’m now downloading over 40GB per month (and should really pay more). I have to admit: iPad, iPod Touch and Apple TV have forever changed our lives for the better.
A few months ago I took a wander around town with my friend 
I’ve shot some video with my Harinezumi camera when we were in Miami a few weeks ago, and I finally got round to editing it. Julia even dusted off my old electric piano so I could give it a personal soundtrack too.