I’ve been making some thumbnails for my Stardew Valley streams on YouTube, using low-res pixel artwork to reference the characters. My thumbnails are much larger than the original artwork, so I had to resize them in Photoshop. However, when I did this, I’ve noticed that Photoshop was trying to “smooth” the pixels as good as …
Sometimes one frame is just too large a step when you’re editing audio in Premiere Pro. Thankfully we can infinitely expand the steps in the timeline by showing Audio Time Units. To do that, find the super tiny nondescript hamburger icon in the timeline, just above the timecode display. Click it and choose Show Audio …
Only days after reverting from my All Apps Creative Cloud subscription to the Photography Plan, I’m already missing Premiere Pro badly. I had hoped to live without it, but I must admit I love it too much 😍 I thought there would be an easy way to add the Premiere Plan to my existing Photography …
Last year I’ve signed up for the All Apps Creative Cloud plan, at a reduced rate of $30 a month. I only ever used Photoshop and Premiere and never tried any of the other apps. In two days, Adobe will start charging me $52.99 a month. That’s too much for me right now 😢 I …
Ever since the past Premiere Pro update, my computer likes to reset itself randomly, particularly during rendering. I should have never hit that update button. Note to self: NEVER update software (or hardware) when everything is working well in principle – no matter how many nags you get. With that mishap on my hands, I …
My friends at Adobe have done it again: remove frequently used features from Photoshop and replace them with stuff nobody has ever asked for. Case in point: the terrible default shapes that we’ve had (and disliked) for the last 30 years. I recently made the mistake of updating Photoshop, with the intention of drawing a …
In this episode I’ll show you how to use WebP images in Photoshop. Currently Photoshop (2020) does not have native support for this file format, so we’ll need a plugin made by the developers (Google) to make it happen. It’s aptly titled WebPShop. While the code is open source, it’s not immediately obvious to non-hackers …
The other day I was stumped with what felt like an easy task: create a non-standard video in Premiere Pro, whose final output was supposed to be 1920×120. As wide as 1080p, but only a small strip in height. That should be simple, right? Well technically it is, but as it often happens, the official …
I was trying to (badly) edit an image texture in a scene I had open in Blender. I thought to myself, wouldn’t it be nice to have an option to click on that texture in Blender, then launch the image editor of my choice for a quick edit? I had no idea where to find …
I edit most of my bike videos in iMovie on macOS. It’s quick and easy for what I need to do, and although it’s not a professional editing package, it’s very good for quick tasks. And it’s free if you own a Mac (or at least it once came free with it).
Over time I’ve amassed a huge library of videos that are still part of my library, and there comes a time at which even the biggest hard disk runs out of space. I already knew that I could delete a single project by selecting the project from the home page, then using the little disclosure menu on the bottom right and select Delete Project.
I’ve received a great tip from Patrick Schoolderman a couple of weeks ago, about how to upscale images in Photoshop with a new algorithm that Adobe call Preserve Details 2.0. I wanted to make a quick note about how to do this and share it with you. The workflow is as simple as opening your …
The Photoshop Timeline is a mysterious tool. You can open it from Window – Timeline, or you can open an image sequence/video clip and it’ll dock itself at the bottom of the viewport. By default it displays a sequence in a timecode of sorts, but it’s not the SMPTE or EBU timecode we’ve come to know and love. Instead, it’s something along the lines of seconds and frames, in a format like 02:02f or in other words, something NOBODY in the world would ever use.
But hey, they’re Adobe, and by default they can do anything they want (while extorting money from casual users). I don’t use Photoshop for physical film or video editing, but it’s a nice tool to have when converting rendered image sequences into video clips. I’ve described how to do this here.
When I work this way, I’m more interested in the frame count rather than some made up timecode-thing. I’ve found out how to change this in Photoshop CC, and thought I’d share it with you.
I’ve recently migrated my cloud files over to Adobe’s Creative Cloud. I’m currently getting 20GB of space without device limitations. I made the move because Dropbox recently introduced a limitation of the amount of “new devices” that can be linked with a free account, which meant I couldn’t link my new Z600 and Z800 workstations on my render farm.
All of a sudden I see this notice that some files could not be synced anymore, telling me I’d have to clear up some space in Creative Cloud. No problem I thought, several image sequences had been converted into videos so I deleted them. My Finder window reported a correct 9GB of used space, but the Creative Cloud app still reported in excess of 20GB. What was going on?
Turns out when you delete files from Creative Cloud, they go into an invisible Trash – not on your local computer, but – you’ve guessed it – “in the cloud”. That space counts towards your quota, and unless this is deleted, new files won’t sync across your devices.
That’s different from Dropbox, where deleted files could be accessed outside the storage quota for 30 days, before being deleted permanently. With Creative Cloud, we’ll have to do this manually (but of course, nobody tells you this)… now that I’ve found how how to do it, let me show you how.
When I first started using OBS Studio, I was tremendously puzzled about its use of Scenes, Collections and Profiles. It all makes sense if you know what these mean, which I guess eventually you’ll find out – but I wish someone had explained this philosophy to me instead.
I genuinely like what OBS has to offer – especially the new OBS 23. In fact I like it so much that I’ve decided to support Jim and his the entire project through their Patreon Campaign. Today I’ve “refreshed” my Windows system, which is the system that I use OBS on primarily, and after every …
In this episode I’ll show you how to create an artificial depth of field effect in Photoshop, using the Blur Gallery. This can be useful for cutting down on render time, or to apply to images that have been taken with small fixed focus cameras (like the GoPro). This technique is similar in style to …
I like the way my PlayStation 4 adds a soft round cutout mask to the PlayStation Camera Feed when streaming gameplay. I wondered how I could best recreate this effect in OBS Studio for a consistent experience, no matter which device I decide to stream from.
Here’s how I did it, with a little help from Photoshop – feel free to use the resulting asset without any need for further fiddling.
You can download the mask further down (anchor link).
In this episode I’ll show you how to create a moving Zoom Effect in Photoshop, using the Radial Blur Filter. I’ll also explain the use of Smart Objects and how to blend the original image with the blurred version using a Layer Mask. I’ve used this effect to create the thumbnail for my Vertigo Shot …
I recently had a clip in which the audio was only present on a single channel. Trying to edit that in iMovie proved impossible, because iMovie doesn’t have a way to deal with single tracks of audio. So I thought, I’m sure Premiere can do that. The question was… how? It had occurred to me …
Even my ageing version of Premiere Pro CS 5.5 has multi-camera editing capabilities built in. And even my ageing Mac Mini from 2012 can cope with full HD clips during those edits.
It’s a slightly mysterious process, and until very recently I didn’t quite know how to do it, so there are my notes. This workflow is also helpful if you a have single camera feed and want to switch live (vision mixer style) to zoomed-in versions of the same footage.
In short, we need to
drag all camera clips into a timeline (all on top of each other)
sync all clips in this timeline (select them all, then right-click and choose “synchronize”)
create a new sequence from that sequence
enable multi camera on that clip
open the multi camera monitor, press play and switch live between cameras, creating edits on the fly
In this episode I’ll show you how to use the SVG file with curve information and turn it into an extruded logo using Blender. I’ll setup the scene and ground plane, get the camera ready and turn the default light into a strong side light. This will serve as a starting point to creating our …
The other day I wanted to convert a logo into a path, so that I could use it as a shape in Blender. It was in fact the WordPress logo that was provided as a PNG or PDF from the WordPress Branding section.
The trouble was, both the PNG and the PDF are rasterised, and as such cannot easily be used for an extrusion in 3D as an SVG file would. The question then was, how do I convert an image into an SVG in Photoshop, so that I could import it into Blender?
It took a bit of fiddling, but here’s how I did it.
Quick introduction to SVG Files
SVG files can actually contain three types of data:
Vector Graphics, such as paths (which is what we want)
Raster Graphics, such as bitmap images (which we have, but don’t want)
and Fonts
What I needed in Blender was indeed a Vector Path. Although the other two data types can be contained in an SVG file, Blender can only read path information at the time of writing. It makes sense too, because really I’d like to the path information available as a curve in Blender, not the potential raster or font information.
I’m mentioning this here because
a.) I didn’t know this, and
b.) importing an SVG containing either fonts or raster graphics will import nothing into Blender – which had me stumped.
Hence, for Photoshop to export vector data instead of raster data in our SVG file, we need to jump through a few hoops – but it is possible. Let’s see how!
I made some new lower-third captions for my YouTube channel in Premiere the other day. I had a vision for some animations, and rather than spend several hundred dollars on pre-made snazzy clips, I thought I’d take on the task myself.
For those to be usable on top of other video footage in my screen casting software (Camtasia Studio 3), I needed the animations to be rendered out with an Alpha Channel. That way a mask is automatically created, letting other programmes crop out everything around the titles.
Since I never had to do that before, I asked myself: How do we render a clip with an alpha channel in Premiere?
After careful research, combined with some tireless trial and error, I found the solution to this puzzle – and here’s how to do it.
I recently had the need to encode several audio clips I had edited in Adobe Premiere Pro CS 5.5. That’s easy if you export one timeline at a time, by selecting the sequence, then click File – Export – Media.
But this principle doesn’t work if you haveseveral sequences that need to be exported.
An article in the Adobe Forums suggests how to do this using After Effects as an intermediary, but it seemed very convoluted and a total hack. Besides, I don’t have After Effects so that’s not really a solution.
Convinced that there had to be a better way, I had a quick fiddle – and lucky for me I’ve discovered an easy workaround that I’ll share with you here. I’m using Premiere Pro CS 5.5, so I’m assuming it’ll work in later versions too.
In this screencast I’ll demonstrate how to pixelate or obfuscate text in Photoshop. I usually use Skitch for such things, but one day it wasn’t working, and all I had to hand was Photoshop – so I hunted around and found that it works just as well. It’s just knowing what to click. Once I …
I had some editing to do the other day that, for one reason or another, I wanted to do on my Windows machine. I tried several open-source utilities, but none of them can cut the mustard like Adobe Premiere Pro can.
However, the only legitimate version I have is Premiere Pro CS3, vintage 2007, purchased for good money back then (which I’ve all made back, thanks to a three-day editing job I got for BBC interactive, literally a week after I bought it). Those were the days before Full HD video was commonplace, and way before anyone dared to mention the idea of 4K. But I digress.
So I tried to install Premiere under Windows 10, and to my surprise all worked rather well – until the registration part came and told me that this app could no longer be activated.
Let’s see how we can bring this version back to live in 2017.
Here’s a list of handy keyboard shortcuts for Adobe Premiere Pro. I keep forgetting these little helpers every 6 months or so… By no means an extensive or complete list, here are the ones that I like using: Timeline SPACE – Playback at 100% K – Stop J – Play 100% backwards (multiple presses accelerates …
Photoshop has an interesting set of filters that let us turn ordinary images into fascinating Bokeh Effects. Those can be useful as a nice alternative for gradient backgrounds due to the elements of randomness they can bring, or for foreground effects akin to those created with plastic cameras.
The above uses a Bokeh Effect as additional foreground pattern. Let’s see how it’s done.
I recently recorded a quick voiceover in Adobe Premiere Pro CS 5.5, but I ran into an issue for which the fix wasn’t exactly obvious. Here’s the problem: When you mark a track to record some audio and start the recording, the full mix is being played back through your speakers (or headphones). This includes …
Opening several JPG or PNG images in Photoshop is the easiest thing in the world: just select several in the Windows Explorer or in the Mac Finder, right-click to choose Open, and Photoshop brings in each image as a new document.
But when we try the same with raw images, it won’t work: although Photoshop shows us the raw processing dialogue for all our chosen images, and lets us make individual changes, as soon as we hit Open at the bottom, only the current image is opened as a new document.
What gives? How can we open and convert several images at once?
I made some new lower-third captions for 